Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted ligh...

Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted lighting, soft illustrated shadows, textured brushwork. No 3D, no glossy CGI, no plastic shading. Interior of a ship's hold. A jagged breach in the left hull lets icy seawater pour violently inward, splashing and churning in white foam. Water floods the floor, swirling around crates, barrels, and a coil of rope. Loose paper sheets float and drift on the surface. A metal bucket tilts and sinks slowly. Above, a hanging lantern swings gently, its warm flame flickering and casting moving golden reflections across the churning water and wet metal walls. Cold blue light pours through the breach, mixing with the warm lantern glow. Pipes, portholes, a ladder, and a closed door stay rigid. Water level slowly rises. Floating crates bob and rotate gently. Rope coil shifts slightly. Lantern flickers naturally. Light on water shimmers and changes with the ripples. Subtle 2D multiplane parallax: foreground water and rope move fastest, mid-ground crates and breach slower, distant pipes and door slowest. Camera performs an extremely slow dolly forward through the flooded compartment, drifting gently with the ship's motion. Tiny natural vertical bob, no zoom, no rotation, stable composition. Soft painterly transitions between light and shadow. No hard digital gradients, no exaggerated motion, no anime motion, no rubbery deformation. CAMERA SPECIFICATION Hand-drawn 2D multiplane parallax. Extremely slow dolly forward with gentle natural bob. No zoom, no rotation. PHYSICAL MOTION Water pours through breach, splashes, churns, floods floor, rises slowly. Crates, barrels, rope, paper float and drift gently. Lantern flickers. Light shifts. Camera slowly advances. CONTINUITY LOCK Hull structure, breach, pipes, lantern, portholes, ladder, door, walls, ceiling — all rigid. Only water flow, floating debris, lantern flicker, light shift, parallax allowed. REALISM CONSTRAINTS No morphing of ship structure, no added elements, no 3D shading, no glossy CGI, no squash-and-stretch, no anime motion, no rubbery deformation, no sudden camera movement. Strictly hand-drawn painterly 2D in Klaus (2019) style.