Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted ligh...

Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted lighting, soft illustrated shadows, textured brushwork. No 3D, no glossy CGI, no plastic shading. Night polar expedition camp seen from a high snowy ridge. Heavy snowfall drifts diagonally across the frame, dense in the foreground, thinner in the distance. Dark blue night sky above, warm orange fires below — strong contrast between cold and warmth. The camp is quietly alive. The central bonfire burns with tall, naturally flickering flames, throwing shifting warm light across the snow, tents, and figures. Smaller campfires flicker at each tent. Thin grey smoke rises slowly from every fire and tent chimney, curling into the falling snow. Figures move only with restrained micro-animation: slight posture shifts, small head turns, leaning toward the fires, one figure rising slowly and settling again. No walking, no large gestures. They stay painted silhouettes. Tents, sleds, crates, barrels, foreground rope and ice axes stay completely rigid. Subtle 2D multiplane parallax: foreground snow ridge and rope move fastest, mid-ground tents and fires slower, distant camp and sky slowest. Camera performs an extremely slow cinematic dolly forward and slightly down, drifting gently over the camp and revealing more tents and fires. Tiny natural bob, no zoom, no rotation, stable composition. Soft painterly transitions between light and shadow. No hard digital gradients, no exaggerated motion, no anime motion, no rubbery deformation. CAMERA SPECIFICATION Hand-drawn 2D multiplane parallax. Extremely slow dolly forward with gentle downward drift. No zoom, no rotation. PHYSICAL MOTION Continuous diagonal snowfall. Central bonfire and smaller fires flicker naturally. Smoke rises and curls. Figures make only restrained posture shifts. Camera drifts slowly over the camp. CONTINUITY LOCK Tents, sleds, crates, barrels, ropes, ice axes, foreground ice, distant camp layout, sky — all rigid. Only snowfall, fire flicker, smoke, subtle figure shifts, light shift, parallax, and camera movement allowed. REALISM CONSTRAINTS No morphing, no added elements, no 3D shading, no glossy CGI, no squash-and-stretch, no anime motion, no rubbery deformation, no sudden camera movement. No walking figures. Strictly hand-drawn painterly 2D in Klaus (2019) style.