Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted ligh...

Hand-drawn 2D cinematic animation in Klaus (2019) style: painterly forms, volumetric painted lighting, soft illustrated shadows, textured brushwork. No 3D, no glossy CGI, no plastic shading. Camera close to ship's hull at impact, looking up and slightly forward. Ship sails forward, bow-first, crashing into a massive ice floe. Hull crumples inward: metal buckles, rivets pop, paint flakes, jagged crack opens. Ice floe shatters violently — slabs split and slide backward along hull. Debris and spray burst outward. Ship never travels backward. Smoke streams back from funnel into golden sky. Snowflakes drift diagonally. Rigging sways gently from impact. Deck and superstructure stay rigid. Crew on upper deck are completely static painted silhouettes — they do not move. Golden sunset light blasts from left, backlighting ice spray and catching highlights on crumpled metal. Painted clouds stay stable; low sun glints on horizon. Subtle 2D multiplane parallax: foreground ice and spray move fastest, ship's hull is main focal plane, distant ice slower, sky slowest. Camera performs extremely slow dolly forward with ship, maintaining side impact angle, tiny natural drift and slight vertical bob. Soft painterly transitions between light and shadow. No hard digital gradients, no exaggerated motion, no anime motion, no rubbery deformation. Ship hull (except natural crumpling), funnel, superstructure, masts, rigging, deck, static crew, ice field, clouds, sky — all rigid. Only forward ship travel, ice breaking, hull denting, debris, spray, smoke drift, snowfall, parallax, light shift allowed. No morphing beyond realistic metal crumpling. No added elements, no 3D shading, no glossy CGI, no squash-and-stretch, no sudden camera movement. Ship moves forward only, never backward. Crew not animated. Strictly hand-drawn painterly 2D in Klaus (2019) style.