A traditional hand-drawn FILM STORYBOARD SHEET for scene 1: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 16:9 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 14-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: 0-3s static wide: the wave slides up the sand and leaves exactly one glistening mussel beside Orest's paws. 3-6s medium: Orest scoops the shell up with both paws, droplets hit his whiskers, and he presses it to his right ear. 6-10s close-up: a deep 'shhh-vooo' hum pulses from the shell, Orest's eyes widen, and at 0:07 he speaks in a low amazed voice, clearly audible, looking at the shell. 10-14s medium-wide: the shell hums back, and Orest slings the basket strap over his left shoulder and strides left-to-right across the frame toward the reeds, still moving at the cut. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.
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