A traditional hand-drawn FILM STORYBOARD SHEET for scene 1: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 16:9 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 8-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: Ли Чэн gently feeds the fruit to Су Юнь, who accepts it with a slight tremor of anticipation. Looking deeply into her eyes, he whispers, '今夜，你只是我的王妃。' His fingers rise softly to cup her chin, tilting her face upward. The camera smoothly pushes in from a medium shot at eye level to an intimate close-up as he leans in to begin their first tender kiss, while candle flames waver gently in the warm still air. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.
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