Live-action film shot, one continuous shot, no cuts, locked-off static camera. A marble landing on the top floor. A tall man in a black overcoat staggers up the last stairs on the right, drenched in sweat and gasping, and stumbles to the closed brass elevator. The doors open: a woman in a red gown stands inside, perfectly fresh, raises one eyebrow, gives him a tiny finger wave and presses the b...
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