Extreme close-up. The flexible face membrane sticks imperfectly to her forehead first, then cheeks, nose and chin. For several frames it looks absurdly tactile and slightly gross: edges stretching, material pulling around her nose, tiny air bubbles moving underneath, skin-like membrane adapting to her wrinkles. Then — SUCTION MORPH. The mask suddenly begins conforming perfectly to Granny’s anat...
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