Film still, 16:9. Wider two-shot from a three-quarter angle behind the next pew forward, so the backs of the pews frame the bottom of the picture: two men sit side by side on the same wooden front pew in a large Victorian Gothic church of yellow London brick (third reference image), backlit by a dusty golden shaft of light from a stained-glass window, faces in soft warm light, slightly silhouetted edges. On the left, Daniel Cole from the first reference image: Black British man, short full neatly trimmed black beard, short natural black hair, charcoal wool overcoat over a navy roll-neck, holding his phone out toward the vicar, recording. On the right, Reverend Samuel Whitlock from the second reference image: elderly white English vicar, thinning white hair, thin wire-rimmed glasses, tweed jacket over a clerical collar, smiling. The men are small in the frame, the church large around them. Realistic, cinematic. No text, no readable phone screen, no logos, no watermark, no extra people.
