Image - 2026-11-08 10:24

A traditional hand-drawn FILM STORYBOARD SHEET for scene 1: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: Photorealistic cinematic 3D animation in warm Pixar holiday-commercial style. Slow gentle dolly-in on a medium close-up. Handsome young man Artur (black neatly styled hair, black rectangular glasses, tailored black suit, white shirt, black tie, small red pin on lapel) stands in a cozy upscale living room. A large Christmas tree decorated with gold and red ornaments and warm fairy lights glows in soft bokeh behind him; large windows let in winter daylight. Artur's eyes are closed, a tender grateful smile on his face, his right hand resting over his heart. In the immediate foreground a round wooden table holds a flickering sculpted red heart-shaped candle, a black gift box with gold ribbon labeled ARTUR, and a steaming teacup with a red heart. Shallow depth of field, volumetric candle glow mixed with golden fairy lights, highly detailed fabric, wax and wood textures. Warm amber-crimson color grade, intimate emotional atmosphere that teases the climax and plants the question of who the loving gift is meant for. 8k, cinematic lighting, photoreal materials. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.