A single key frame from a modern premium 2D hand-drawn animated film, in the exact drawing style of the reference images: bold simple graphic shapes, big solid flat colour masses, fine ink lines, flat gouache texture. Image 1 shows the camera and framing for this shot: a medium shot centred on the black cast-iron street lamppost, the pale stone wall behind it, the café table with its chairs on the right. Image 2 is the location. Image 3 shows the man; image 4 shows the woman in the long bright red sleeveless gown. Wide 16:9, bright midday sun, short shadows, clear blue sky, dry stone. Near the top of the lamppost, just under the lantern, there is a short horizontal iron ladder bar. The man hangs upside down from it, his knees hooked over the bar, his long black overcoat hanging down past his head, his copper hair hanging down, his face upside down and determined; he holds a chunky white retro instant camera to his eye with both hands, aiming at the woman. On the right, around the café table, a messy heap of hundreds of small white-framed instant photos covers the sidewalk, knee-high; the woman stands knee-deep in the heap of photos, posing with one hand behind her head, a sweet smile, fresh and perfect. Each person has exactly two arms and two hands. No text, no letters, no logos.
