Photorealistic cinematic film still from a feature film, a single vertical 9:16 frame, shot on ARRI Alexa 35. Use the FIRST reference image for the robot's exact face and construction (olive-skinned female silicone face, straight dark brows, hazel-brown eyes, beauty mark on the left cheekbone, transparent acrylic dome skull full of circuit boards, copper wires and amber LEDs, chrome piston neck with braided cables, black base with gauge). Use the SECOND reference image for the man's exact identity and wardrobe (heavyset, dark-brown beard with grey streaks, charcoal knit beanie, olive waxed-canvas chore jacket over a cream henley). Use the THIRD reference image for the set: night electronics-repair garage workshop, pegboard walls, butcher-block workbench, oscilloscope, brass task lamps, hanging Edison bulb, half-open roll-up door to a rainy cyan-lit alley. Warm 2700K tungsten interior vs cold cyan exterior spill, light haze, natural skin texture, subtle 35mm film grain. Strictly off-center composition, no symmetry, not a character sheet. No text, no subtitles, no watermark. SHOT: Wide shot from outside, camera standing in the rainy back alley at hip height, 24mm lens at T2.8, looking in through the half-open corrugated roll-up door. Foreground: diagonal rain streaks and wet asphalt with cold cyan streetlight reflections. Inside, the warm amber-lit workshop: the robot head on the workbench and the man sitting on his stool beside her, gazing at her, both small in the frame and placed in the right third beneath the dark lower edge of the half-raised door. Cosy, quiet, cold blue night outside versus warm golden interior.
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