Transform Image 1 into a finished cinematic view of the same Red Army headquarters shown in Image 2. Image 1 defines the camera position, viewing direction, framing and spatial arrangement. Preserve its oblique view toward the side wall and adjoining corner: wooden shelving on screen left, a framed military map near the center, and a Soviet pilot poster on screen right. Keep their relative positions, scale and perspective. Image 2 defines the room’s materials and visual treatment: aged beige plaster, dark wooden lower wall panelling, substantial timber trim, ceiling beams and worn floorboards. Continue these architectural details consistently into the view in Image 1. Use Image 2 for appearance and lighting, while retaining Image 1’s composition. Replace the schematic shelving with a realistic wooden bookcase containing folders, books and rolled documents. Render the map as a different map from the one visible in Image 2, with plausible cartographic detail and no letter designation. Preserve the pilot poster composition from Image 1 and its exact text: «ВСЕ ДЛЯ ФРОНТА! ВСЕ ДЛЯ ПОБЕДЫ!» This is another viewing direction within the same room. The doorway, window and red aviation banner visible in Image 2 remain in their existing locations outside this camera’s field of view. Daylight enters from that off-screen window; warm lamp illumination fills the room. Recalculate shadows for these surfaces rather than copying the sunlight patch from Image 2. Keep the central foreground clear for adding a character later. Horizontal 16:9, eye-level camera, realistic cinematic rendering matching Image 2, without people.
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