Modern psychological horror film poster, graphic editorial illustration with vintage screenprint texture and coarse grain. Limited striking color palette: deep void black, bone white, burnt sienna, and sickly pale cyan. A surreal metaphor for digital identity, algorithmic entrapment, and losing one's face to the machine. In the center, a curly red-haired woman with delicate facial features based on the reference portrait, sitting rigidly inside an impossible claustrophobic architectural room made of shifting glass frames and infinite digital mirrors. Her real face is cracking and peeling away like porcelain, revealing a hollow abyss with multiple staring synthetic eyes underneath. Towering behind her, an ominous colossal shadowy entity composed of tangled fiber cables, phantom hands, and towering distorted silhouette looms over her, physically reaching into her head and pulling luminous threads of memories. Glitched typography integrated seamlessly into the design reading boldly: 'ПРОТОКОЛ ДВОЙНИКА' (TITLE) at the top, and 'A FILM BY AUTHOR' at the bottom. Disturbing surreal dread, sharp shadows, cinematic high-contrast minimalism, unsettling fine-art horror aesthetic, screenprint halftones, tangible threat and inevitable doom.
