Early-2000s consumer Handycam video aesthetic: small CCD sensor, deep depth of field, slightly so...

Early-2000s consumer Handycam video aesthetic: small CCD sensor, deep depth of field, slightly soft digital detail, modest electronic sharpening, slightly saturated consumer colors, limited dynamic range, realistic automatic exposure, subtle low-light noise, occasional autofocus hunting, casual handheld movement, imperfect amateur framing, raw unpolished digital-video texture, no cinematic color grading. Camera not visible, no text, no logos, no UI. Extremely slow, continuous forward handheld dolly through the bedroom shown in the reference. Camera at ~1.5m height with gentle micro-shake. No acceleration, no sudden stops, no lateral drift. The camera advances very slowly from the bed area toward the desk and the large illuminated mirror. The entire scene — desk, chair, vases, flowers, books, mirror with LED backlight, bed, bedding, rug, nightstand, lamp, floor, walls, ceiling, window, curtains, LED strips, and the entire reflection in the mirror — must remain completely rigid and locked in exact 3D positions. No morphing, no moving objects, no added elements, no changing shadows, no texture swimming, no gimbal smoothness, no CGI, no rendering. Only raw Handycam look and extremely slow forward camera movement. CAMERA SPECIFICATION Early-2000s consumer Handycam, small CCD sensor, deep depth of field. Auto exposure, autofocus with occasional hunting. Handheld, no gimbal. Height ~1.5m. No zoom. PHYSICAL MOTION Extremely slow, continuous forward handheld dolly. Natural micro-shake from walking. No acceleration, no stops, no lateral drift. Imperfect amateur framing. CONTINUITY LOCK Everything frozen: desk, chair, vases, flowers, books, mirror, LED backlight, bed, bedding, rug, nightstand, lamp, floor, walls, ceiling, window, curtains, LED strips, and the mirror reflection. Only extremely slow forward camera movement is allowed. REALISM CONSTRAINTS No morphing, no moving objects, no added elements, no changing shadows, no texture swimming, no gimbal smoothness, no cinematic color grading, no CGI, no rendering, no UI, no text, no logos. Only raw Handycam footage and an extremely slow forward dolly.