Cinematic realistic scene inside a moving Italian high-speed train during warm late-afternoon lig...

Cinematic realistic scene inside a moving Italian high-speed train during warm late-afternoon light. The same 10-year-old boy from all previous scenes sits at the table with the same classmates. He quietly studies the paper map of Rome in front of him. The boy makes only one small natural movement: his index finger slowly traces a very short path across the map, then stops. He keeps looking down at the map thoughtfully. His other hand remains naturally near his face. The children beside him make only subtle realistic movements: breathing, a small shift of posture, a blink. Nobody makes large gestures. MOVING TRAIN: The landscape outside the window moves continuously and naturally backward, clearly showing that the train is travelling away from Rome. Show only countryside, trees, fields, distant hills and occasional buildings passing by. Natural horizontal motion blur close to the railway. No Rome skyline, no Colosseum, no St. Peter's Basilica, no famous Roman monuments outside the window. STRICT CHARACTER CONSISTENCY: Preserve the boy exactly as in the source image. He is the exact same 10-year-old boy from the entire film. Identical age, face, facial proportions, hairstyle, curly hair, hair color, skin tone, height and child body proportions. Do not age him. Do not make him taller, older or more mature. Do not change his clothes. No identity drift and no face morphing. MAP LOCK: Preserve the physical paper map exactly as shown in the source image. Do not redraw, transform, fold, rotate or replace the map. The boy's finger may move gently over its surface, but the printed map itself remains completely stable. Do not generate changing letters, labels or landmarks. TABLET LOCK: The tablet lies flat beside the map with its screen completely black and switched off for the entire shot. Absolutely no screen activation, glow, image, interface, text or animation. Do not move, rotate or transform the tablet. CAMERA: Mostly locked camera with an extremely subtle cinematic push forward toward the boy and the map. Preserve the original vertical 9:16 composition. No camera rotation, no dramatic zoom. Natural motion at normal human speed. No slow motion. No exaggerated gestures. No morphing. No new objects. No disappearing objects. No changing seats or train interior.