Art style: Technicolor Melodrama. Robert Hossein as Count Joffrey de Peyrac, shown full-length from head to feet, standing upright — a tall, lean, broad-shouldered man in his late thirties, centered in a candlelit 17th-century Toulouse hall of stone arches, tapestries and flickering torchlight filling the sides. Angular aristocratic face with dark piercing eyes, olive-toned skin, prominent nose, and a faint dueling scar down his left cheek. Thick dark wavy hair swept back to his collar, neat dark moustache and short pointed beard. He wears a rich crimson-and-black velvet doublet with gold-thread embroidery, a white lace collar, a long dark cloak over one shoulder, tight breeches, and knee-high polished black leather riding boots; an ornate rapier hangs at his hip. He walks with a slight limp, weight on a silver-topped cane. Proud, magnetic, faintly melancholic expression, chin lifted. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: glossy 1960s melodrama in the spirit of Douglas Sirk — rich Technicolor (mint, coral, golden yellow), glamorous studio lighting with a soft halo on the heroine's face, immaculate retro sets (floral wallpaper, crystal, chrome service), dynamic editing with quick transitions, varied camera angles including high angles, reflections in metal and mirrors, a low camera from the floor, Dutch tilts, sharp snap-zooms and whip-pans, rack focus, retro serif titles. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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