Art style: Cinematic Realistic. A dimly lit police archive room filled with floor-to-ceiling metal shelves packed with dusty boxes. Detective Muller stands under a flickering fluorescent light, leaning over a wooden table covered in maps and black-and-white photos. The air is thick with dust motes. The color palette is muted with industrial greys and sickly yellows, emphasizing a stale, dead-end investigation. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic" idiom, not in any other medium. Character appearance reference (MUST match exactly): - Detective Muller: A sharp-featured man in his late 50s with piercing blue eyes and a clean-shaven face. He has short, salt-and-pepper hair styled in a professional side part. He wears a crisp white dress shirt with a loosened navy blue tie and a silver police badge clipped to his leather belt. His posture is rigid and alert, suggesting a lifetime of searching for clues. He is positioned in a cluttered police precinct office with stacks of manila folders and a glowing computer monitor.
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